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Dance Luminary Matthew Ball on Grueling Roles and Online Attention: 'I'm Not Protective About My Body'

In the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly straight-backed, his arms muscular beneath a simple tee. During performances, ballet dancers can seem as powerful deities, yet frequently in person they are small. This is not true for Ball, whose tall stature is one reason for his popularity for princely characters and partnering. Possessing delicate traits and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Ascent to the Top

At 31, Ball is enjoying the crest of a career that has progressed smoothly. Raised in Liverpool, he faced little teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he moved straight into the troupe and was promoted annually, reaching the top rank of principal in 2018. He has relished taking on meaty characters, especially the psychological turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next starring role is as himself, in an "In Conversation" event aiming to offer intimate perspectives into a performer's craft. He will guide the crowd through a role, showing his mental workflow while performance. Yet in lighter works, the test is profound. "Don Quixote is one of the toughest technically," he notes.

The Mental Game and Post-Performance Emotions

What about after a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the role, quite often I do feel self-conscious afterwards. Following Mayerling I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, polite, and prone to laugh at himself. But a dance maker previously observed on a "kind of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Early Drivers and Creative Influences

His determination stemmed from early setbacks. Not doing well in competitions at school made him "driven!" It was fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from books, music, and painting.

Intimate Performance and Private Partnership

He additionally is interested in presenting dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Image

On social media, followers can see videos from his projects and photos that showcase a athletic physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be interpreted on various ways.

Ball characterizes his early self as "desperate for success." Has it met his expectations? "I feel very aware of how reality is a different reality to the dreams you had as a young person," he reflects. He probably has another decade of performing left. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Michele Lee

Elena is a tech enthusiast and writer with a passion for creating accessible tools that simplify everyday life.

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